台湾“新电影”和大陆“第六代”电影纪实美学比较研究.pdf

台湾“新电影”和大陆“第六代”电影纪实美学比较研究.pdf

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台湾“新电影”和大陆“第六代”电影纪实美学比较研究

Abstract Abstract:Sincethebirthof hasbeena film,record film-makingimportantfactor, and recordaestheticsalsosawstridesintheTaiwan NewFilm Movement,while Chinesemainlandstars itlater.Thisfocusesonthe and paper comparisonanalysis betweenTaiwan”New Film”and”the6thGeneration”FilmofChinese Mainland, sortsouttheir mainlyseparately own selectsthe developmentprocesses,andtypical filmsofdifferent asto the of and directors,SOconduct,in perspectiveexpounding film of andTV and analyzinglanguage,aanalysis generalsurvey,filmlanguages aesthetic oftheselected tendency films.Onthebasisof and comparisonanalysis,this holdsthatTaiwannew paper films thefeaturesof matureand enjoy aesthetics,relatively modelsofemotional aswellasmore and regular expression profound deeperconcept and the6m films toomuch onactual knowledge,while generationput emphasis and ofthem are and the experienceindividualism,however,both explorin

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