上海之春二胡赛事的音乐人文叙事摘要.pdf

“上海之春”二胡赛事的音乐人文叙事 摘 要 二胡音乐文化在上海的发展有相对稳定持续的深厚基础，上海 也是中国最早的国际化都市。针对“上海之春”二胡赛事在这两种 因素上发生契合的音乐行为，对赛事历程中乐人乐曲分两条脉络进 行叙事，结构性地阐释“上海之春”二胡赛事的文化意义与人文观 照。由绪论、四章正文及结论组成。绪论简要介绍了理论基础、研 究方法及主要观点。第一章通过归纳上海二胡音乐文化在历史文化 与音乐社会语境下的结构特征来说明其发展同社会主流意识形态紧 密关联并同社会发展之间互通互融。第二章通过分析乐人与赛事的 互动性特性，揭示乐人是使“音乐人事”存在和发展的可行性基础。 第三章论述乐曲内涵中“传统与现代”的融合，推动了赛事不断发 展，并推动二胡音乐文化在自身建构和认同表达上发展重组，具体 表现在传统与现代的融合。第四章分析当下“上海之春”二胡赛事的 文化观照及二胡音乐文化在都市发展过程中所产生的文化实践。当 下城市语境下的二胡音乐正在经历新的文化建构，二胡音乐文化也 在“全球化”“地方化”“民族性”的交融过程产生了兼容、促进、重组的 时代特征。 关键词：“上海之春”；二胡；城市音乐 I Musical and Humanistic Narration of Shanghai Spring Erhu Competition Abstract The development of Erhu music culture in Shanghai has a relatively stable and sustained deep foundation, and Shanghai is also the earliest internationalized city in China. In view of the music behavior of the Shanghai Spring erhu event in these two factors, this paper narrates the music of the musicians in the course of the event in two ways, and explains the cultural significance and humanistic view of the Shanghai Spring erhu event structurally. It consists of an introduction, four chapters and conclusions. The introduction briefly introduces the theoretical basis, research methods and main points of view. In the first chapter, the structural characteristics of Erhu music culture in Shanghai in the context of historical culture and music society are summarized to illustrate that its development is closely related to the mainstream ideology of society and interacts with social development. Chapter two reveals the feasibility of the existence and development of music personnel by analyzing the interaction between musicians and competitions. The third chapter discusses the integration of tradition and modernity in the connotation of music, promotes the continuous development of th